![]() Any musician with an interest in mixing technology will likely recognise Greg Mackie’s name, and the fact that he and equally-notable, former Trident designer Peter Watts have had input into the design here gives Korg’s latest consoles some serious pedigree. Korg’s SoundLink mixer series comes with some impressive names attached to it. Lacks full audio interface or onboard recording This is certainly not a cheap option, but the blend of analogue heritage and digital convenience makes this a fantastic device for small studio setups. SSL compressors are a sought-after choice for their ability to ‘glue’ sound sources together and add punch to drums – and having that access to that in your home studio is a major draw here.Ĭrucially, BiG SiX also improves on the SiX’s biggest weak spot by adding a 16-channel USB 24-bit/96kHz audio interface. The analogue appeal is rounded out with three compressor flavours, one of which is an ‘Essential’ version of the classic SSL G-Comp Bus Compressor that features the well-known auto release option. These are joined by four stereo inputs with dual mono switching. These include four mono channels that feature SSL’s SuperAnalogue mic preamps, each offering mic/line/Hi-Z inputs, a high-pass filter, SSL Channel Dynamics, an updated three-band EQ and a fully balanced insert point. ![]() This model ups the ante by offering a full 16-channel analogue mixer. As with that mixer, BiG SiX builds on the heritage of SSL’s legendary, large-format studio consoles, but does so in a way aimed primarily at home and project studios. ![]() Special mention must also go to the Rode RodeCaster Pro (opens in new tab) while podcasting itself is still relatively niche, in the RodeCaster Pro there is a specialist mixing desk which offers up a few neat tricks specifically for those users.Īs its name implies, BiG SiX is the larger sibling of SSL’s equally impressive SiX (see below). The mic preamps sound great for the price, and the USB connectivity means it will have a good few years in it yet. That all comes at a cost though, which will likely put the SiX above the reach of many intermediate or cash-strapped home musicians.Īt a far more accessible price point, the Allen & Heath ZEDi 10FX (opens in new tab) is a mixer that hits a nice balance between classic mixing capabilities and modern ways of working. It ticks a lot of boxes: it boasts genuine analogue heritage, which translates to characterful recordings and bus mixing, but also enough digital flexibility to act as a convenient hub for a home or project studio. In our option, SSL’s BiG SiX is the high point of home studio mixers right now. Looking for a great deal on a home studio mixer? Keep it locked to our Black Friday music deals page for all the latest savings and offers. Let’s take a look at our round-up of the best home studio mixers around today. Some favour traditional simplicity, while others incorporate ingenious tricks to unlock the full potential of your gear. Here we will run through a selection of the best home studio mixers - both analogue and digital - and mixing desks to ensure you can record multiple sources at once. From a simple cost vs connectivity position too, a mixer often allows for home studio users to manage a higher volume of recording inputs than a similarly-priced audio interface. ![]() Many mixers let users record directly onto an internal drive too, effectively removing the DAW from the equation entirely. ![]() On the one hand, some of the best home studio mixers – particularly analogue ones – can impart unique character while recording.Įven transparent digital mixers can encourage a more tactile and creative workflow too, as you get hands on with your audio tracks, riding faders and EQs as you bounce parts down. There’s certainly still something to be said for incorporating a mixer into your setup though. ![]()
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